About

Cat is a writer, filmmaker and producer. She has been selected for the BAFTA Crew TV/Film programme 2018 as part of a cohort of writers, directors and producers working towards their debut features.

Her horror feature pitch has been selected for FrightFest’s New Blood scheme 2018, with mentoring by BAFTA-nominated UK producer Jack Tarling (God’s Own Country; Await Further Instructions) horror icon Barbara Crampton, director (The Ranger) and producer Jenn Wexler and Queensbury Pictures’ Giles Edwards.

OLYMPUS DIGITAL CAMERAHer short films include the award-winning KEEN-wah and multi award-winning Connie, starring Catrin Stewart (Doctor Who, Stella). She has two short films in pre-production and directed Arrow Video FrightFest 2018 opening ident, Shushpiria.

She was Executive Producer/ Social Media Manager of award-winning web series, Mina Murray’s Journal, and is Co-writer and Producer of multi award-winning hit comedy horror short, Blood Shed, which has played more than fifty festivals, won ten awards and been nominated for many more.

Cat has worked in broadcasting since 2005 at the BBC, Worldwide and ITV across TV and radio genres  as a researcher, co-ordinator, project manager, production manager, and publishing/brand executive. She was Project Manager of The Listening Project with BBC Radio 4, a Sony winner, and Production Manager of the prestigious BBC Food & Farming Awards.

She has an MA in Creative Writing from Manchester Metropolitan University, and has just graduated with a second MA in Professional Media Practice, including feature film production at the Met Film School.

Her poetry and short stories have been published in print and online, and a short story recorded for broadcast by Short Story Radio. She has also written features for the web and a novel. Cat won the Fresher Publishing Writing Prize 2017 for Creative Non-Fiction, and published in the print anthology Fresher Writing Volume II. She has also written articles for Den of Geek, East London Lines and new print magazine, Film Stories.

 

Praise for Connie:

“Funny, creepy, clever and surprisingly affecting.” SciFiNow

“Genuinely hilarious… Cat Davies… has a fantastic grasp on how to get under the audience’s skin. We’re used to the Chucky’s of the genre invoking the fear, but with this new female focus, Connie is a force to be reckoned with, and so is Cat Davies.” HorrorTalk

“Make sure you catch Connie, it’s a pleasant surprise and showcases a talent worth keeping an eye on.” Starburst

Praise for Blood Shed:

“…indebted to the CGI-free horror of the Eighties, and in particular to George A. Romero’s Creepshow (1982)… as though this were a lost British segment of Romero’s anthology film.” SciFiNow

“A thirteen-minute slice of genius… enough gags and gore to put a smile on anyone’s face… Davies and her partner-in-cinematic-crime James Moran have a perfect handle on what makes an entertaining and memorable short.” Starburst

Praise for KEEN-wah:

“Cat Davies’ hilarious KEEN-wah went down a storm” SciFiNow

“Punchy, sharply written and VERY funny” Shock Street Horror

 

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