Indulge in a bit of aural pleasure with the latest episode of the brilliant award-winning podcast, The Evolution of Horror!
I joined Mike Muncer as his guest to delve into cult classic The Blob from 1958 – starring Steve McQueen in his first notable movie role, and its far superior 80s remake, thanks to the golden horror combination of Frank Darabont and Chuck Russell. There’s lots to love about both these lovely, gloopy alien movies.
Prepare for a potentially controversial statement about another horror classic! Gasp!
On sale now – I’ve written two features for the latest issue of the glorious FilmStories magazine.
First, I chatted with captivating BAFTA-nominated actress, Niamh Algar, about British psychological horror Censor for the cover feature. I’ve been a fan of Niamh’s for a while now since her roles in The Bisexual and Pure, so it was great getting under the skin of her character in this movie – a stylish, smokey piece set against the backdrop of the 1980s video nasty era by debut featuremaker, Prano Bailey-Bond. The UK cinema release date is now 20th August.
Second, I had the honour of interviewing director Ate de Jong about a film I hold dear to my heart, Drop Dead Fred. A personal favourite from my childhood, for reasons I discuss in the piece, Ate and I spoke at length about the serious undertones of this gross-out comedy that was unfairly dismissed in the early nineties, but thirty years later has finally found its audience and cult status. Starring one of my all-time heroes, Rik Mayall, I got the skinny on all the folklore around Fred. I did meet Rik once in my twenties, but that’s a whole other story!
Massive gratitude to the editor, Simon Brew, for once again giving me the pages to write about films I adore and speak to people I admire.
The little fierce diva Connie has a new lease of life! She is back and has high-kicked her way onto Shorts TV’s subscription channel on Amazon Prime. You can watch the feisty foul-mouthed showgirl as part of a free seven-day trial now.
My feature film, EVACUEES, currently in development with Kato Pictures, has made the press!
Big thanks to Starburst firstly for their continued support of my work. Full article here.
And we’re mentioned in Penny Dreadful’s fabulous column in this month’s SFX magazine (April 2021 issue). What a legend. We’re referenced alongside some awesome talent there – extremely flattering! Massively appreciated. Lauren Parker and I are chuffed.
It’s alive! My second feature on beloved 90s sci-fi TV show Quantum Leap is now live on The Companion app and website.
Following on from the publication of my first piece back in January, One Giant Leap for Sam, Another Day for Samantha, this feature delves much deeper into my interview with head writer, co-executive producer and uncredited co-creator, the inspirational Deborah M. Pratt.
In Leapt Ahead of Her Time, Deborah talks to me about the challenges of getting the show made, pushing boundaries, the enduring love of fans that kept the show alive, working with Scott Bakula and Dean Stockwell, and her plans for it to leap back to our screens and how we can all play our part in making that a reality!
Head over to The Companion to subscribe and read all about it, and other epic new long reads every Tuesday, Thursday and Sunday – a must for 90s sci-fi fans.
I’m delighted to announce that my elevated period horror feature film Evacuees is now in development with Kato Pictures, led by fantastic producer, Lauren Parker. I’m attached as writer/director.
Conceived in late 2018, Evacuees started as a pitch selected as one of eight feature projects in Arrow Video FrightFest’s New Blood 2018 contest to receive mentoring from BAFTA-nominated producer Jack Tarling (God’s Own Country), horror icon Barbara Crampton, director/producer Jenn Wexler, and Queensbury Pictures’ Giles Edwards. Since then, the script has grown through its infancy to become a Stage32 and Screencraft semi-finalist.
Set in 1943, it tells the story of a Yorkshire town that plays host to a group of child evacuees from war-torn London. Childless outcast Elizabeth grows close to them, but faces a dilemma when she discovers the truth of their sinister intentions.
Lauren Parker is a member of the BFI Network x BAFTA crew as a producer, where we first connected, and was awarded one of only twelve places on their mentoring scheme. Lauren is currently mentored by Camille Gatin (The Girl With All The Gifts). She was also selected for the Edinburgh International Film Festival Talent Lab in 2018.
Lauren has produced successful shorts including the award-winning Night Owls and the Creative England/BFI NETWORK funded Wash Club. Wash Club received an online premiere with Short of the Week and a Vimeo Staff Pick.
Lauren’s latest short Majority was funded by the BFI NETWORK and has screened at Krakow Film Festival, Palm Springs Shortfest and BFI London Film Festival. Her next short Lord of the Free Range is due to shoot in 2021 with the support of the BFI NETWORK. Her films have played festivals around the world including Frightfest, Sitges, Aesthetica, London Short Film Festival, This is England, Galway Film Fleadh and many more.
She started her career in television as a production assistant with Endemol and has since worked in TV production with CBBC, BSLBT and Wellington Films. She recently worked as line producer on the interactive project As Dead As It Gets. Lauren has also worked on a range of feature films, from low budget horror to the BFI funded The Devil Outside.
Lauren has produced countless commercial and corporate videos with clients including Porsche, Boots, Nottingham City Council and NY record label, Bear and Owl. Her music videos have been screened on Vevo and MTV as well as nominated for Best Radar Commission at the Radar Music Video awards.
As a filmmaker, this story allows me to explore themes and concepts around motherhood, fertility, femininity, gender and identity through complex characters that are rarely portrayed on screen.
I’m so happy to join forces with Lauren on Evacuees. Her passion and enthusiasm for the script is palpable, even through lockdown, and I look forward to channelling our energies into raising this project from toddler through to adulthood.
A cool project that I’m involved with is now on sale! I’m a guest writer included in Faux Hidden Gems of the VHS Era – a collection of all the best/worst and bonkers plots from the back covers of 1980s VHS boxes, but for movies that don’t exist! It’s a smashing little book available in an actual print edition and is the brainchild of the magnificent Mike Garley, an EMMY-nominated comic series writer (Collider, Wallace and Gromit, Adventure Time, The Kill Screen).
As a kid, my family rented stacks of VHS tapes every weekend – all the weird and wonderful shock and shlock flicks. They all had glorious cover art that was sometimes better than the movie itself, cracking loglines and enticing synopses. This book pays tribute to the era with a compendium of completely made up movies that could totally have been made and fit in perfectly with the real thing on video shop shelves.
I’ve created a totally made up cult VHS hit for this book, complete with logline, reviews, production gossip and a crazy premise. The book features 52 fantastic creations from the depths of the mind of Mike Garley and other guest writers – it’ll leave you wishing you could actually rent these gems. It’s great escapist fun and only £6.00. Buy it here now.
My first piece for The Companion has now been published. It’s an extended feature about one of my all-time favourite TV shows – Quantum Leap – concerning one of the programmes most important episodes – the first in which Sam leaps into the place of a woman – What Price Gloria. The piece is called One Giant Leap for Sam, Another Day for Samantha.
I talked to the amazing writer and co-exec producer, Deborah M Pratt, who was generous with her time, about her influences, intentions and reflections on writing and making the episode, and the timely relevance of its themes. It was an honour to speak to such a pioneer.
I’m really proud of this piece. Revisiting the show has been a slice of nostalgic delight, but also a reminder that though we’ve made some leaps, there is still yet more progress to be made in a post #MeToo era.
You need to be a subscriber to The Companion to read my feature in full here, but it’s a great app and website for TV, film, scifi and 90s fans. A snip for some great content and different perspectives on all the movies and shows you loved from a cracking era. More on Quantum Leap from me to come!
I’m delighted to have written the cover feature for this month’s Film Storiesmagazine! I was lucky enough to interview the chameleonic actress Morfydd Clark, who spoke to me about two new films out in October that she stars in – psychological horror, Saint Maud, and the comedy drama, Eternal Beauty. We had a good old natter and chatted about both and so much more.
Speaking to me from New Zealand, where she is currently filming the new Lord of the Rings TV series for Amazon, Morfydd was incredibly insightful, charming and self-effacing. She sets the screen ablaze in both films. I also wrote the Eternal Beauty review in the same issue. Huge thanks to the editor, Simon Brew, for being such a supporter of my writing.
Hard to believe a year has zipped by since we released #FFIDENT20, but it has. Though James Moran and I swore it would be our last Turn Off Your Bloody Phone ident for Arrow Video FrightFest, we changed our minds and did a surprise ident this year in lockdown, on incredibly limited resources, to celebrate the Digital Edition of FrightFest this August and help make things feel a little bit more normal.
Written & directed by James and I, it screened before the world premieres of There’s No Such Thing As Vampires and I Am Lisa at FrightFest on 28th August, but is now available online for free on YouTube.
Thank you to FrightFest for still running a festival this summer, albeit digitally. It’s horror Christmas and we cherish the festival organisers’ efforts.