New ident for Arrow Video FrightFest 2020 – ‘Screen’ – now on YouTube

Hard to believe a year has zipped by since we released #FFIDENT20, but it has. Though James Moran and I swore it would be our last Turn Off Your Bloody Phone ident for Arrow Video FrightFest, we changed our minds and did a surprise ident this year in lockdown, on incredibly limited resources, to celebrate the Digital Edition of FrightFest this August and help make things feel a little bit more normal.

Turn Off Your Bloody Phone: Screen features contributions from Mark Kermode, Emily Booth, Corin Hardy, Nicholas Vince, Matthias Hoene and devoted FrightFest supporters.

Written & directed by James and I, it screened before the world premieres of There’s No Such Thing As Vampires and I Am Lisa at FrightFest on 28th August, but is now available online for free on YouTube.

Thank you to FrightFest for still running a festival this summer, albeit digitally. It’s horror Christmas and we cherish the festival organisers’ efforts.

New feature in Film Stories magazine, Issue 18, August 2020 – Pre-order now!

I am forever a fan of the amazing Film Stories magazine – it’s a truly independent publication and as an avid reader, I’ve never once been disappointed in a single article. So I’m thrilled that I’ve been able to write a new feature for issue 18, due out over the coming weeks. It’s the fifth edition I’ve written a piece for and this was another delight.

This piece is a look-back at a British 90s movie that caused quite the stir on its release with it being a bit more slap than tickle. I had lots of fun researching the film and speaking with the filmmaker – who was a delight to talk to. It’s the story of how this film was developed, the challenges faced in production, critical reception at the time and how it found wider acclaim and fandom more than two decades later.

More will be revealed when the issue is out, but you can pre-order a copy here. It’s a snip at just £5.99 for the print edition, or there’s a digital option. Please support this utterly brilliant publication. Everyone has been hit hard these last few months and print media especially so. With an already challenging market, and then retail outlets closed for a considerable period, mag makers have been hit hard. Beloved Q magazine has folded and ScifiNow has moved to a digital platform only. Please help keep print alive and support this brilliant mag. We need it – it’s a big warm hug for film fans.

On writing team for ‘The Companion’ app & website – a treat for 90s scifi fans

I’m so happy to be part of the writing team on The Companion, a brand new app and website devoted to 90s scifi. There’ll be long reads, podcasts, daily trivia, infographics and artwork to indulge in as your companion to all the films and TV shows that made the era so special. From Armageddon to The X Files, The Companion is an insider look at who, how, and why our favourite films and shows were made from the cast, crew and experts who were there. As it’s app/website, the material will be up-to-date and it’ll always be with you in your pocket.

The Kickstarter campaign to raise a wedge of funds to aid the launch in August is now live and has already raised a huge proportion of the total needed in just two days, but there’s still a little way to go and great perks to be had – early bird subscription offers, art prints, enamel pins and more! Head over the the page for more details!

Nine-page article in Film Stories, Issue 14, March 2020 – on sale now!

Aside from writing my new play, prepping for my next short film and cooking up some other secret projects, I carved out time to write another piece for the INCREDIBLE movie magazine, Film Stories, issue fourteen.

This time, I interviewed eight great directors about the challenges they’ve faced getting their feature films made, their inspirations, honing their craft, obstacles they’ve overcome and still combat in the industry, and they also shared their wisdom and advice for new filmmakers. Oh, and though not a big deal, all eight of these incredible directors are female filmmakers. Both Film Stories and I are proud of this. We celebrate them in this mammoth nine-age article, the longest feature that Film Stories has published to date. It’s available in indie shops, the BFI Southbank shop and to order online.

Huge thanks to the filmmakers who spoke to me around their exceptionally busy work schedules and personal commitments to share their stories and experiences:

Alice Lowe

Prano Bailey-Bond

Rachel Tunnard

Hope Dickson Leach

Aislinn Clarke

Rita Osei

Jeanie Finlay

Chelsea Stardust

And great thanks to Simon Brew, the editor of Film Stories, for asking me to write this, but also for consistently putting together such a brilliantly entertaining, informative, exciting, independent and cool magazine, and in glorious fine-smelling print no less, not just digital.

New podcast appearances – Evolution of Horror & Franchise Players – out now!

I LOVE a good podcast, especially podcasts about films, so I was chuffed to chat about two great stonkers in two recent podcasts, both of which are now available for your aural pleasure.

First, I chatted to Mike Muncer on the hugely popular Evolution of Horror podcast about Ti West’s 2009 retro occult horror, The House of The Devil. A stunning example of beautiful low-budget independent filmmaking, which wears its influences on its sleeve, Mike and I delved deep into the plot, aesthetic, its legacy and superstar Greta Gerwig’s supporting role, as well as its film nerd status as a fine example of ‘mumblegore.’ This episode is twinned with Mike’s chat with Robb Watts about another witchy release from the same year, the equally brilliant Drag Me To Hell by Sam Raimi. Have a listen here or via Apple Podcasts and other services. It’s recently been Apple Podcast’s number one film history podcast!

Then I had a good old natter with Mark Goddard and Chloe Davies for the Franchise Players podcast about one of the best thrillers that has ever been made – yes, I said thriller rather than horror – Richard Donner’s 1976 classic, The Omen. This is another movie I have such respect for, and Mark, Chloe and I discussed the film in great detail – scene by scene where we could, evaluating the story, performance, score, its set pieces, where its genre lines blur and the influence it’s had on modern horror classics. We spoke for several hours and I could have praised it for another six hours. You can listen here.

If you love a bit of film history, critique and trivia, or just want to get your geek on during your commute, when cooking, in the bath or when trying to sleep, or you’re searching for creative inspiration, both are a good, fun and worthy listen. Enjoy!

And there’s more of me chatting on podcasts to come over the coming months… To be announced soon!

Blood Shed European TV Premiere 1st February – ShortsTV

Blood Shed has its European TV premiere on ShortsTV Europe in ‘The Midnight Hour’ slot on 1st February.

ShortsTV is available in Europe on the following platforms:

Netherlands (Ziggo – Channel 125)

Netherlands (T-Mobile – Channel 321)

Netherlands (YoufoneTV – Channel 301)

Netherlands (Delta – Channel 312)

Netherlands (Caiway – Channel 106)

Netherlands (Kabeltex – Channel 187)

Belgium (Telenet – Channel 314 Flanders and 334 Brussels)

Serbia (SBB – Channel 175)

Blood Shed is already regularly screening on ShortsTV across North America.

Thanks to Shorts International.

Blood Shed now available to buy on Amazon Prime Video

After about sixty film festival screenings internationally, Blood Shed is now finally available to buy on Amazon Prime Video for £2.99 HD or £1.99 SD in the UK and the USA. So a bargain price for a bargain shed! OR, better still, it’s free to watch if you already have Amazon Prime! So go, fly my pretties, fly… Fly over to Amazon Prime and take a peek at our bloody sheddy horror comedy short!

Blood Shed is now also screening in North America on ShortsTV, with the European premiere coming soon.

New article in Film Stories magazine, Issue 10, Oct 2019 – on sale now!

A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.

A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.

Massive thanks to Rachel for chatting with me so openly and sincerely about the production.

The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.

 

Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.

Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.

Cat included in Evolution of Horror podcast FrightFest review episode

Another year, another Arrow Video FrightFest film festival done and dusted. As well as opening the 20th anniversary of the festival with #FFIDENT20 just before the premiere of Come to Daddy, I’m also really chuffed to be included in the Evolution of Horror special reviewing the festival. It’s a fantastic podcast and includes contributions from special guests, filmmakers, podcast listeners and FrightFest fans.

You can catch me at around 1 hour 13 minutes discussing my favourite film of the festival – the one that stole my heart and ate it. No hints!

Listen here!

 

 

FFIDENT20 now online starring Andy Nyman, Emily Booth and Kim Newman!

Our secret ident for Arrow Video FrightFest this year is now online for free – #FFIDENT20 – FrightFest Opening Night of the Dawn of the 28th Day. Starring Andy Nyman, Emily Booth, Kim Newman, Jack Doolan, Adam Green & Joe Lynch.

Please watch, rewatch, share. I loved directing the Night of the Living Dead segment with the wonderful Emily Booth – such a funny woman. Huge thanks to her and our other brilliant guest stars. We made this with a huge amount of love, care and attention couldn’t have done this without the fab crew who gave us days and days of their time on this epic labour of love – Kirsty Graham, Joao L C Da Silva, Stu Dye, Taylor Rae Papworth, Grace Sargeant, Rhian Webster, Lauren Webster, Louise Brightman. This is our last ident as we’ll never beat this one!

It was screened before the UK premiere of Come to Daddy at FrightFest on the gigantic iMax screen last night.

Happy 20th anniversary, FrightFest!

To Paul McEvoy, Ian Rattray, Alan Jones, Greg Day

and all the FrightFest team x