Having your film selected for a festival is always a pleasing belly-warmer. Being nominated for an award is always a surprise, but winning one feels like hitting a home run… Or as someone who’s never hit a home run, it’s like Christmas has come early. Or Hallowe’en for me. It’s not only validation, it’s reassurance that you’ve found your tribe.
Recently, Blood Shed hit its stride – a second wind – with awards and nominations. We were awarded the Best International Short Film award by The Golden Skull Film Festival in Glasgow. It is THE golden skull, and a thing a beauty.
Then we won the Hollywood Horrorfest Best Comedy medal in grand old Hollywood! The medal is in transit and we’re raiding the postbox daily.
And we’ve been nominated for three awards at FilmQuest in Utah, and two at GenreBlast in Virginia! Both festivals take place in September, so we’re counting the days eagerly awaiting the outcome!
Blood Shed is also scheduled to screen at major awards qualifier Encounters in September, with a list of festivals waiting to be announced.
Chuffed to announce that I’ve been selected for the BAFTA Crew Film/TV programme 2018! I’m part of a group of shorts to feature writers, directors and producers who are working towards their debut feature or TV show over the next few years.
Looking forward to meeting everyone and getting started on the roundtables, seminars and networking events. Knowledge is power. @BAFTAGuru #baftacrew2018
Excellent news! We’ve struck a licensing deal with the brilliant Shorts International to broadcast Connie on ShortsTV in North America, Europe and South Asia for five years from late 2018. ShortsTV is the world’s first 24/7 HD TV channel dedicated to shorts. This is a very exciting agreement as the ShortsTV channels are currently available to approximately 25 million homes! I can’t wait for Connie to reach a wider audience and for the little puppet to expose herself on TV!
PLUS, Connie shortly be added to the ShortsTV online stores on Amazon (UK, USA and Germany) and iTunes (in over 80 countries) for purchase! So anyone who hasn’t managed to catch little felt diva at festivals can see her on the tellybox or online! Launch date details coming soon!
2018 is now in full swing, and this is my first news post since the birth of my amazing baby daughter, Ava-Grace, in January. I’m loving balancing motherhood with my writing and filmmaking, and have actually found myself with a renewed sense of vigour, despite the mountain of diapers I have to contend with on a daily basis. I’m incredibly inspired and the ideas don’t stop coming at the moment. I can’t wait to share them, but for now, I’m riding the wave of love for Blood Shed!
Since making its festival debut last August at FrightFest, Blood Shed has been selected for more than 30 festivals across the globe, winning 6 awards and garnering many more nominations, and we’ve still a long way to go! Our latest win in February was the Best International Short award at Nevermore Film Festival in North Carolina.
It’s been just over a year since we smashed our Kickstarter campaign target and began production on the the film, and James and I can hardly believe it, but Blood Shed has been selected for TWO Oscar qualifying festivals in the USA. The first is Nashville Film Festival! It’s one of the longest-running film festivals in the US and one of the most acclaimed in the South, so we’re thrilled to be part of it. We’re screening with the superb Found Footage 3D on 18th & 19th May. Nashville had nearly 5000 short film submissions this year, selecting just 215, and we’re competing as part of the Graveyard Shift competition.
The second qualifier is the amazing Seattle International Film Festival! Connie screened at #SIFF last year, so Seattle feels like home for me as a filmmaker. It’s the largest and most highly-attended festival in the USA and the selection of films this year is not to be missed. Blood Shed screens on 26th May as part of the Terror Internationale block.
It’s not that we think a film about a man-eating shed would ever actually be nominated for an Oscar, but it feels amazing to get recognition from such big festivals that get thousands and thousands of submissions from films of all genres from across the globe.
Finally, I’m happily beavering away at feature ideas, with several already scripted and others at the outline or pitching stages. I’m also keen to get back on set and shoot my next two shorts from the Summer, but am making sure I get plenty of time to enjoy my babymoon with my favourite Moranic production…
Blood Shed continues to cook up a storm in the US! Our little sheddy tale of guts and gore has brought us glory the last few weeks, notching up several awards! First, we were stunned to wake up to the news that Blood Shed scooped THREE awards at the prestigious Knoxville Horror Film Fest!
We beat stiff competition to be crowned Funniest Film, and James Moran was named Best Director for a short, and we won Best Script for a short film, too. As Producer, Co-Writer and Production Designer, I’m grinning from ear to ear and thrilled that our rather unique tale has found its place on the film scene so quickly.
The awesome trophies arrived this week and are now adorning the Moranic Productions gong shelves!
The festival team kindly picked our star, Shaun Dooley, as the winner of the Best Male Lead Award. Here’s a quick peek at the trophy that is currently en route – what a hot bird! We can’t wait to unwrap this little chick.
Huge thank you to both festivals and their judges, but also to our supporters who helped get this film made and spread the word about it. It’s an honour to share it with so many like-minded shed-fanciers.
We have more screenings coming up. We’re screening at the awesome Ax Wound Film Festival in Vermont on Saturday 18th November, then we’re back in London on home turf for the Underwire Festival 2017 where we’ll be screening at the Prince Charles Cinema on Friday 24th November. Come and show your support if you can. I’m nominated for their Best Producer award and at more than 8 months pregnant, I am extra, extra emotional about this nomination!
In other news, James and I are guests on the latest edition (season 2, ep 7) of the brilliant film podcast Casting the Runes! We were chuffed to chat with the lovely Runes team and had a great time talking about Creepshow and Blood Shed. Have a listen to the episode here! We hope you find the things we say insightful as well as plain odd, weird and strange.
Seeing your work in print is a great buzz for any writer, but it’s all the more special when the story is personal, heartfelt and concerns the life of a loved one who has since departed.
Earlier this year, I was thrilled to receive the news that my short story, The Shells at Miramare Market, had won the Fresher Publishing Writing Prize for Creative Non-Fiction 2017.
After submitting to the independent publisher, Fresher, late last year, I did what many writers often do – logged that I’d submitted the piece, filed it away and completely forgot all about it, expecting to hear nothing at all or perhaps a ‘thanks but no thanks’ email. Much to my surprise, I didn’t just receive a standard email – I was ecstatic to learn that I’d actually won! Not only had I bagged myself a nice title and a prize of a consultation with a publisher, the story would also be published in the print anthology alongside all the category finalists and winners for the year.
After several months of eager anticipation, Fresher Writing Volume 3 arrived at my doorstep – an advance copy! Though I often read books on my iPad, there’s nothing quite like holding and smelling a real book. It takes me back to my childhood – devouring the pages of my dad’s old Penguin Classics with the orange spines and that distinctive smell of age.
Turning the pages of the beautifully bound paperback anthology, it is a joy to see the story in print. It’s been a little while since my last short story appeared in print or was recorded for radio, but this story is extra special. Inspired by the true story of my dad’s mother’s secret life as a partisan in her native Italy during World War 2, The Shells at Miramare Market is a blend of Sofia’s stories as they were retold to us over the years, mixed with a little invention to plug factual gaps.
Sofia sadly passed away in 2015, followed shortly after by her husband of six decades, Ronnie, but I was extremely fortunate to have a private recording, made just a few months before her passing, of her talking about her life to guide me through the writing process. Hearing her voice helped me develop the character of the piece, but I also interviewed my dad to get more detail – descriptions of Miramare, Trieste and his memories of his mum, her attitudes and her parents, but also her brother Mario, a fellow partisan who suddenly went missing one day during the war. The family never knew what happened to him and suspect he ended up a victim of war, possibly in the Karst Foiba. This loss was often commented on by Sofia and was something that she carried with her through her life.
Though the piece is termed creative non-fiction for good reason, I felt a great responsibility to tell her story as sensitively and accurately as I could. But I also wanted to tell her story in a compelling way – structuring the narrative and invented dialogue in my scenic writing to hook in the reader, create tension and even laugh at the juxtaposition of the little frail old lady with a surprising, dark and heroic past that you’d never have known just by looking at her. Though her passing was recent at the time of writing the piece, and therefore raw and quite difficult for myself and my dad, it’s such a personal piece and one that I was completely invested in – more so than much of my other work – and I hope this shows in the quality of the writing, the narrative, dialogue and characterisation. I’m proud of this story and feel it’s a love letter to Sofia and to her life. And who knows, maybe there is more to this story and it could become something more long-form…
Fresher Writing Volume 3 will shortly be available to purchase via Amazon. Stay tuned for a link!
It’s been six months since we shot Blood Shed, and the shed has had something of a meteoric rise since its World Premiere at Horror Channel FrightFest in London just over a month ago! As co-writer, producer and production designer of this tale of 80s shed gore, I couldn’t be more proud.
We just yesterday found out that we’ve been selected by our SIXTEENTH festival! AND we’ve been nominated for an award at Sick Chick Flicks Film Festival in North Carolina!
To have sixteen festivals booked in little over a month since our World Premiere is really quite a feat, and we’re overjoyed that so many festival programmers love a story about a killer shed as much as we do! It’s all come as rather a surprise to James and I. We’ve never had a film gather such momentum so fast and only hope that the little shed that could continues to find its tribe on the festival scene and beyond! My fingers and toes are crossed daily.
Blood Shed has two festival outings this week in case you’re able to catch it on the big screen. First, the film will be screening in Pennsylvania, USA on Friday 6th October at the Indie Horror Drive-In Film Festival.
Then on Saturday 7th October, the shed is back in London to rock Wimbledon International Short Film Festivalfrom 7.30pm, where we’re nominated for the Best London Filmmaker award, and eligible for two further awards to be decided on the night!
More details on the festivals that we’ve been able to announce so far can be found on the Screenings page of the official Blood Shedwebsite, which is crammed with stuff!
We’ve also had a flurry of exceptional reviews following our premiere. Here are just a few highlights with some linky links for clicky clicks if you want to feast your eyes on the full reviews. They’re rather lovely and have certainly left us all warm and fuzzy inside.
“…indebted to the CGI-free horror of the Eighties, and in particular to George A. Romero’s Creepshow (1982)… as though this were a lost British segment of Romero’s anthology film.” SciFiNow
“A thirteen-minute slice of genius… enough gags and gore to put a smile on anyone’s face… Davies and her partner-in-cinematic-crime James Moran have a perfect handle on what makes an entertaining and memorable short.” Starburst
“Loaded with laughs and gore to satisfy in this very niche sub-genre you never knew you needed.” HorrorTalk
We’ve had such tremendous support from our Kickstarter backers and new fans who’ve discovered the film since we ran our crowdfunding campaign back in February. All digital rewards, and most of the physical perks, have been sent out for the gang to enjoy. Those waiting on swag packs that include a poster, badges and magnet – never fear – they’ll be on your doorstep in no time. They’ll be worth the wait!
We may offer some of the remaining limited edition merchandise as competition prizes at festivals or on social media, so keep your eyes peeled on the Twitter feed.
We’re deep in pre-production on our next short film, Hank: Portrait of a Serial Killer, which is due to be shot in November (depending on when my baby decides she’s ready to come out) and completed in early 2018. This one is written and directed by me, and produced by James and I. There’s no shed this time, but still lots of gore, blood and jokes. We hope to share this with the festival scene next year.