Our secret ident for Arrow Video FrightFest this year is now online for free – #FFIDENT20 – FrightFest Opening Night of the Dawn of the 28th Day. Starring Andy Nyman, Emily Booth, Kim Newman, Jack Doolan, Adam Green & Joe Lynch.
Please watch, rewatch, share. I loved directing the Night of the Living Dead segment with the wonderful Emily Booth – such a funny woman. Huge thanks to her and our other brilliant guest stars. We made this with a huge amount of love, care and attention couldn’t have done this without the fab crew who gave us days and days of their time on this epic labour of love – Kirsty Graham, Joao L C Da Silva, Stu Dye, Taylor Rae Papworth, Grace Sargeant, Rhian Webster, Lauren Webster, Louise Brightman. This is our last ident as we’ll never beat this one!
It was screened before the UK premiere of Come to Daddy at FrightFest on the gigantic iMax screen last night.
Ta dah! My latest podcast appearance has been unleashed on the world via Apple Podcasts and other great platforms! I had a blast chatting to Mike Muncer, with James Moran, about George A Romero’s classic flick Day of the Dead for the Evolution of Horror podcast. It’s episode 10 of the season on zombie flicks. The episode was recorded shortly before the sad passing of one of the stars – Joseph Pilato – RIP.
We’re paired with fellow filmmaker Sam Ashurt who discusses the other zombie game-changer of 1985 – Return of the Living Dead. It’s a really cool episode and well worth a listen! You can listen at the Evolution of Horrorwebsite, and find out more about Mike’s Patreon campaign for the series here. Go support!
Brilliant news! My award-winning short Connie is now available to buy on Shorts International’s iTunes stores in the US and Europe! Better still, the foul-mouthed puppet is a cheap gal – a snip at only $2.99 or £1.99 respectively – so fill your stockings this festive season with twenty minutes of our little felt-covered diva.
Connie has had an incredible journey since the shoot in May 2016, playing festivals globally, including awards qualifiers, winning awards, receiving great reviews and entertaining audiences we could only have dreamed of. Being able to share it now with a whole new audience is really something else. Film festivals rock, but so few people can actually get to them, so I’m proud that Connie has been licensed by Shorts International.
The film showcases the incredible talent of our superstar, Catrin Stewart, who did an incredible job of playing two roles at once and also operating a puppet – all in just two days on set! It also features the legend that is Kim Newman. It’s a film I’m incredibly proud of. Meeting audiences at festivals and seeing their reactions to the film, and to me and the puppet, has been an extra slice of joy.
Connie is also screening now on ShortsTV’s channel in the US, with the European premiere coming very soon. ShortsTV is the world’s first 24/7 HD TV channel dedicated to shorts, and currently available to approximately 25 million homes, with more channels across the globe to come. More details on how to watch ShortsTV here.
I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!
The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!
Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.
You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!
It’s been six months since we shot Blood Shed, and the shed has had something of a meteoric rise since its World Premiere at Horror Channel FrightFest in London just over a month ago! As co-writer, producer and production designer of this tale of 80s shed gore, I couldn’t be more proud.
We just yesterday found out that we’ve been selected by our SIXTEENTH festival! AND we’ve been nominated for an award at Sick Chick Flicks Film Festival in North Carolina!
To have sixteen festivals booked in little over a month since our World Premiere is really quite a feat, and we’re overjoyed that so many festival programmers love a story about a killer shed as much as we do! It’s all come as rather a surprise to James and I. We’ve never had a film gather such momentum so fast and only hope that the little shed that could continues to find its tribe on the festival scene and beyond! My fingers and toes are crossed daily.
Blood Shed has two festival outings this week in case you’re able to catch it on the big screen. First, the film will be screening in Pennsylvania, USA on Friday 6th October at the Indie Horror Drive-In Film Festival.
Then on Saturday 7th October, the shed is back in London to rock Wimbledon International Short Film Festivalfrom 7.30pm, where we’re nominated for the Best London Filmmaker award, and eligible for two further awards to be decided on the night!
More details on the festivals that we’ve been able to announce so far can be found on the Screenings page of the official Blood Shedwebsite, which is crammed with stuff!
We’ve also had a flurry of exceptional reviews following our premiere. Here are just a few highlights with some linky links for clicky clicks if you want to feast your eyes on the full reviews. They’re rather lovely and have certainly left us all warm and fuzzy inside.
“…indebted to the CGI-free horror of the Eighties, and in particular to George A. Romero’s Creepshow (1982)… as though this were a lost British segment of Romero’s anthology film.” SciFiNow
“A thirteen-minute slice of genius… enough gags and gore to put a smile on anyone’s face… Davies and her partner-in-cinematic-crime James Moran have a perfect handle on what makes an entertaining and memorable short.” Starburst
“Loaded with laughs and gore to satisfy in this very niche sub-genre you never knew you needed.” HorrorTalk
We’ve had such tremendous support from our Kickstarter backers and new fans who’ve discovered the film since we ran our crowdfunding campaign back in February. All digital rewards, and most of the physical perks, have been sent out for the gang to enjoy. Those waiting on swag packs that include a poster, badges and magnet – never fear – they’ll be on your doorstep in no time. They’ll be worth the wait!
We may offer some of the remaining limited edition merchandise as competition prizes at festivals or on social media, so keep your eyes peeled on the Twitter feed.
We’re deep in pre-production on our next short film, Hank: Portrait of a Serial Killer, which is due to be shot in November (depending on when my baby decides she’s ready to come out) and completed in early 2018. This one is written and directed by me, and produced by James and I. There’s no shed this time, but still lots of gore, blood and jokes. We hope to share this with the festival scene next year.
Great news! Connie has won big at GenreBlast Film Festival 2017 in Virginia, USA! Connie scooped the Funniest Short Film award this month following the State Premiere at the festival, where my little short screened alongside the opening feature film, Guardians.
GenreBlast is an awesome festival and the comedy shorts selection was really amazing, so I’m totally blown away that the film has actually bagged the award. You just never really know when you write a comedy if people are going to get your sense of humour. You can edit, rewrite and share with your team and crew and have all the laughs in the world on set, but you still have to hope that the film finds its tribe in on the festival scene and in the big bad world. Thankfully, Connie has, and I’m thrilled that GenreBlast wanted to recognise my work in this way.
Connie was also nominated in two other categories against impressive competition – Best Actress and the female writer/director award.
Massive congrats to all the nominees and winners at GenreBlast, and a big thank you to the festival team for including us in the festival. The selection was amazing and communication before, during and after the festival has been great – a festival really worth submitting to and being part of. We couldn’t be there in person, but will definitely be submitting more work in future and hope to make it over to join the party one day.
There are more festival announcements and screenings still to come for Connie as she continues to stomp around the globe – thrilling, touching and offending as many wonderful people as she can well into 2018! These are regularly added to the Screenings page on the official Conniesite.
I’ve been drowning in production and post-production on Blood Shed and pre-production on Hankthe last two months, so it’s been a while since I posted an update about my beloved Connie!Well, here it is… Don’t ye worry, the little diva is still making waves!
Conniecontinues to thrive on the festival scene, with more award wins and nominations, which is always a lovely, exciting surprise. It’s been almost exactly a year since the film was shot, and writing this kind of update fills me with glee.
Connie has won an Honourable Mention Award at The International Horror Hotel 2017, and screens at the event in June in Ohio, US. Connie has had several screenings in Ohio and has either been nominated for an award or won one at each of those festivals. Big love to Ohio! Thank you for appreciating my work.
Back home here in the UK, Connie also took the Unrestricted View Film Festival in London by storm at the end of April, garnering nominations for Best Short, Best Director and Best Actress! This was a great surprise, but sadly we were unable to attend as we were away at another film festival in Poland. Gosh darnit!
The next UK screening of Connie is currently set for August bank holiday weekend in beautiful Manchester. Manchester is very close to my heart. I lived there for six or seven years and it was the first place I lived that made me feel completely at home. The people, the culture, the architecture, the honesty – I still have a special place in my heart for the city. Yes, Connie will have her Northern UK Premiere at the incredible Starburst International Film Festival.So not only a city I love, but a magazine I love too – all in one festival. Hip hip hooray!
Before she’s let loose on Manchester, Connie will be making her way to Berlin for her German Premiere next month at Final Girls Berlin Film Festival! We’re heading over to attend the festival in person, and in puppet, and can’t wait to see the audience reaction. I love sitting amongst the crowd and watching the screenings – you can hear every giggle, roar, gasp and clap. There’s nothing like it.
Connie has also been selected as part of the prestigious Etheria World Tour 2017/18 and will screen internationally at Etheria events throughout 2017/18 at universities, art galleries, conventions, museums, independent cinemas, year-round travelling horror conventions, partner festivals, pop-up Etheria screenings, official Etheria Women in Horror Month events, and horror/sci-fi/comic conventions. Now that is BIG news – she might be coming to a town near you soon! I’m so thrilled to have my work included as part of such a great line-up and to be working with Etheria. It’s a real honour.
And finally, I’m so very proud that Connieis screening TONIGHT (26/05) at the Seattle International Film Festival! Being selected for an OSCAR qualifying festival is something that I never expected for my tiny film about a very sweary, domineering puppet. It’s a huge festival and one I definitely want to attend in future! So, if you’re anywhere close to Seattle, go along and enjoy.
In other news, Blood Shed is in the edit and we’re still aiming for a festival release later this summer, and Hank is in pre-production and casting. I can’t wait for people to eventually see these two projects. They mean a great deal to me and are a little off-the-wall, but I hope will be really memorable (for all the right reasons)!