I am forever a fan of the amazing Film Stories magazine – it’s a truly independent publication and as an avid reader, I’ve never once been disappointed in a single article. So I’m thrilled that I’ve been able to write a new feature for issue 18, due out over the coming weeks. It’s the fifth edition I’ve written a piece for and this was another delight.
This piece is a look-back at a British 90s movie that caused quite the stir on its release with it being a bit more slap than tickle. I had lots of fun researching the film and speaking with the filmmaker – who was a delight to talk to. It’s the story of how this film was developed, the challenges faced in production, critical reception at the time and how it found wider acclaim and fandom more than two decades later.
More will be revealed when the issue is out, but you can pre-order a copy here. It’s a snip at just £5.99 for the print edition, or there’s a digital option. Please support this utterly brilliant publication. Everyone has been hit hard these last few months and print media especially so. With an already challenging market, and then retail outlets closed for a considerable period, mag makers have been hit hard. Beloved Q magazine has folded and ScifiNow has moved to a digital platform only. Please help keep print alive and support this brilliant mag. We need it – it’s a big warm hug for film fans.
A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.
A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.
Massive thanks to Rachel for chatting with me so openly and sincerely about the production.
The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.
Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.
Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.
An extended article I wrote for the spectacular new print magazine Film Stories has now been published. The feature is about the too often overlooked 90s rom com Jack & Sarah, starring Richard E. Grant, Samantha Mathis, Sir Ian McKellen, Dame Judi Dench and Dame Eileen Atkins. Spread across five pages, I argue that the film is well worth a revisit and discuss its many merits. It includes extracts from an exclusive interview I did with the writer/director, Tim Sullivan, who was very generous with his time and shared so many interesting stories about the making of his ‘baby.’
Film Stories, Issue 5, is available now from the BFI Shop, WHSmiths and via mail order. It’s a snip at just £5.99, or it’s even cheaper if you opt for a subscription deal! This issue also includes:
The stars of Rocketman on bringing the Elton John biopic to the screen
Richard O’Brien on the lost Rocky Horror Picture Show sequels
The movie apocalypse films that have flown under the radar: Reign Of Fire, anyone?
True confessions of a movie PR rep
The woman who transformed Warner Bros’s movie marketing
Jack & Sarah: revisiting an overlooked 90s British movie.
The evolution of movie special effects, and the return of practical
Three films and he’s out: the movie career of Yahoo Serious
Celebrating the musical films of John Carney
The trick to making a horror movie remake
So don’t miss out! And I hope you enjoy reading my lovingly crafted article!
I had excellent news this month! One of my feature film pitches, a period horror piece, has been selected for Arrow Video FrightFest’s New Blood 2018 scheme with Queensbury Pictures! The scheme aims to find new writers and nurture their project from script to screen. One of last year’s entries, thriller Broadcast Signal Intrusion, is now in pre-production and due to be shot later this year.
I’m ecstatic to be one of eight writers selected, and have already had invaluable mentoring by BAFTA-nominated UK producer Jack Tarling (God’s Own Country; Await Further Instructions), horror icon Barbara Crampton (You’re Next, Re-Animator, From Beyond), director (The Ranger) and producer (Psychopaths) Jenn Wexler, and Queensbury Pictures’ Giles Edwards. Over the next few months, I’m going to hone the script and see if this scary baby can be brought to life. Many thanks to FrightFest and Queensbury Pictures for the opportunity.
Also, I made an ident for FrightFest – Shushpiria – which is now available online! A spoofy love letter to Argento’s Suspiria, it screened just before the UK premiere of The Ranger on both main screens, including the iMax, which blew me away. The point of the ident is to get the audience to switch of their phones.
This no-budget project was shot in one day by a very talented and creative team who gave their time because of their passion for it (credits at the end of the film). It’s a huge challenge to spoof something as specific and well-loved as Suspiria, but the lovely feedback from the crowd suggests the effort worth it. It was tremendous fun to do, even down to recording the faux Goblin music. Little bit of trivia – the painting in the background of the phone scene is by my dad – a very talented artist. Enjoy!
Chuffed to announce that I’ve been selected for the BAFTA Crew Film/TV programme 2018! I’m part of a group of shorts to feature writers, directors and producers who are working towards their debut feature or TV show over the next few years.
Looking forward to meeting everyone and getting started on the roundtables, seminars and networking events. Knowledge is power. @BAFTAGuru #baftacrew2018
2018 is now in full swing, and this is my first news post since the birth of my amazing baby daughter, Ava-Grace, in January. I’m loving balancing motherhood with my writing and filmmaking, and have actually found myself with a renewed sense of vigour, despite the mountain of diapers I have to contend with on a daily basis. I’m incredibly inspired and the ideas don’t stop coming at the moment. I can’t wait to share them, but for now, I’m riding the wave of love for Blood Shed!
Since making its festival debut last August at FrightFest, Blood Shed has been selected for more than 30 festivals across the globe, winning 6 awards and garnering many more nominations, and we’ve still a long way to go! Our latest win in February was the Best International Short award at Nevermore Film Festival in North Carolina.
It’s been just over a year since we smashed our Kickstarter campaign target and began production on the the film, and James and I can hardly believe it, but Blood Shed has been selected for TWO Oscar qualifying festivals in the USA. The first is Nashville Film Festival! It’s one of the longest-running film festivals in the US and one of the most acclaimed in the South, so we’re thrilled to be part of it. We’re screening with the superb Found Footage 3D on 18th & 19th May. Nashville had nearly 5000 short film submissions this year, selecting just 215, and we’re competing as part of the Graveyard Shift competition.
The second qualifier is the amazing Seattle International Film Festival! Connie screened at #SIFF last year, so Seattle feels like home for me as a filmmaker. It’s the largest and most highly-attended festival in the USA and the selection of films this year is not to be missed. Blood Shed screens on 26th May as part of the Terror Internationale block.
It’s not that we think a film about a man-eating shed would ever actually be nominated for an Oscar, but it feels amazing to get recognition from such big festivals that get thousands and thousands of submissions from films of all genres from across the globe.
Finally, I’m happily beavering away at feature ideas, with several already scripted and others at the outline or pitching stages. I’m also keen to get back on set and shoot my next two shorts from the Summer, but am making sure I get plenty of time to enjoy my babymoon with my favourite Moranic production…
Blood Shed continues to cook up a storm in the US! Our little sheddy tale of guts and gore has brought us glory the last few weeks, notching up several awards! First, we were stunned to wake up to the news that Blood Shed scooped THREE awards at the prestigious Knoxville Horror Film Fest!
We beat stiff competition to be crowned Funniest Film, and James Moran was named Best Director for a short, and we won Best Script for a short film, too. As Producer, Co-Writer and Production Designer, I’m grinning from ear to ear and thrilled that our rather unique tale has found its place on the film scene so quickly.
The awesome trophies arrived this week and are now adorning the Moranic Productions gong shelves!
The festival team kindly picked our star, Shaun Dooley, as the winner of the Best Male Lead Award. Here’s a quick peek at the trophy that is currently en route – what a hot bird! We can’t wait to unwrap this little chick.
Huge thank you to both festivals and their judges, but also to our supporters who helped get this film made and spread the word about it. It’s an honour to share it with so many like-minded shed-fanciers.
We have more screenings coming up. We’re screening at the awesome Ax Wound Film Festival in Vermont on Saturday 18th November, then we’re back in London on home turf for the Underwire Festival 2017 where we’ll be screening at the Prince Charles Cinema on Friday 24th November. Come and show your support if you can. I’m nominated for their Best Producer award and at more than 8 months pregnant, I am extra, extra emotional about this nomination!
In other news, James and I are guests on the latest edition (season 2, ep 7) of the brilliant film podcast Casting the Runes! We were chuffed to chat with the lovely Runes team and had a great time talking about Creepshow and Blood Shed. Have a listen to the episode here! We hope you find the things we say insightful as well as plain odd, weird and strange.
It’s been six months since we shot Blood Shed, and the shed has had something of a meteoric rise since its World Premiere at Horror Channel FrightFest in London just over a month ago! As co-writer, producer and production designer of this tale of 80s shed gore, I couldn’t be more proud.
We just yesterday found out that we’ve been selected by our SIXTEENTH festival! AND we’ve been nominated for an award at Sick Chick Flicks Film Festival in North Carolina!
To have sixteen festivals booked in little over a month since our World Premiere is really quite a feat, and we’re overjoyed that so many festival programmers love a story about a killer shed as much as we do! It’s all come as rather a surprise to James and I. We’ve never had a film gather such momentum so fast and only hope that the little shed that could continues to find its tribe on the festival scene and beyond! My fingers and toes are crossed daily.
Blood Shed has two festival outings this week in case you’re able to catch it on the big screen. First, the film will be screening in Pennsylvania, USA on Friday 6th October at the Indie Horror Drive-In Film Festival.
Then on Saturday 7th October, the shed is back in London to rock Wimbledon International Short Film Festivalfrom 7.30pm, where we’re nominated for the Best London Filmmaker award, and eligible for two further awards to be decided on the night!
More details on the festivals that we’ve been able to announce so far can be found on the Screenings page of the official Blood Shedwebsite, which is crammed with stuff!
We’ve also had a flurry of exceptional reviews following our premiere. Here are just a few highlights with some linky links for clicky clicks if you want to feast your eyes on the full reviews. They’re rather lovely and have certainly left us all warm and fuzzy inside.
“…indebted to the CGI-free horror of the Eighties, and in particular to George A. Romero’s Creepshow (1982)… as though this were a lost British segment of Romero’s anthology film.” SciFiNow
“A thirteen-minute slice of genius… enough gags and gore to put a smile on anyone’s face… Davies and her partner-in-cinematic-crime James Moran have a perfect handle on what makes an entertaining and memorable short.” Starburst
“Loaded with laughs and gore to satisfy in this very niche sub-genre you never knew you needed.” HorrorTalk
We’ve had such tremendous support from our Kickstarter backers and new fans who’ve discovered the film since we ran our crowdfunding campaign back in February. All digital rewards, and most of the physical perks, have been sent out for the gang to enjoy. Those waiting on swag packs that include a poster, badges and magnet – never fear – they’ll be on your doorstep in no time. They’ll be worth the wait!
We may offer some of the remaining limited edition merchandise as competition prizes at festivals or on social media, so keep your eyes peeled on the Twitter feed.
We’re deep in pre-production on our next short film, Hank: Portrait of a Serial Killer, which is due to be shot in November (depending on when my baby decides she’s ready to come out) and completed in early 2018. This one is written and directed by me, and produced by James and I. There’s no shed this time, but still lots of gore, blood and jokes. We hope to share this with the festival scene next year.
Great news! Connie has won big at GenreBlast Film Festival 2017 in Virginia, USA! Connie scooped the Funniest Short Film award this month following the State Premiere at the festival, where my little short screened alongside the opening feature film, Guardians.
GenreBlast is an awesome festival and the comedy shorts selection was really amazing, so I’m totally blown away that the film has actually bagged the award. You just never really know when you write a comedy if people are going to get your sense of humour. You can edit, rewrite and share with your team and crew and have all the laughs in the world on set, but you still have to hope that the film finds its tribe in on the festival scene and in the big bad world. Thankfully, Connie has, and I’m thrilled that GenreBlast wanted to recognise my work in this way.
Connie was also nominated in two other categories against impressive competition – Best Actress and the female writer/director award.
Massive congrats to all the nominees and winners at GenreBlast, and a big thank you to the festival team for including us in the festival. The selection was amazing and communication before, during and after the festival has been great – a festival really worth submitting to and being part of. We couldn’t be there in person, but will definitely be submitting more work in future and hope to make it over to join the party one day.
There are more festival announcements and screenings still to come for Connie as she continues to stomp around the globe – thrilling, touching and offending as many wonderful people as she can well into 2018! These are regularly added to the Screenings page on the official Conniesite.