Blood Shed European TV Premiere 1st February – ShortsTV

Blood Shed has its European TV premiere on ShortsTV Europe in ‘The Midnight Hour’ slot on 1st February.

ShortsTV is available in Europe on the following platforms:

Netherlands (Ziggo – Channel 125)

Netherlands (T-Mobile – Channel 321)

Netherlands (YoufoneTV – Channel 301)

Netherlands (Delta – Channel 312)

Netherlands (Caiway – Channel 106)

Netherlands (Kabeltex – Channel 187)

Belgium (Telenet – Channel 314 Flanders and 334 Brussels)

Serbia (SBB – Channel 175)

Blood Shed is already regularly screening on ShortsTV across North America.

Thanks to Shorts International.

New article in Film Stories magazine, Issue 10, Oct 2019 – on sale now!

A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.

A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.

Massive thanks to Rachel for chatting with me so openly and sincerely about the production.

The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.

 

Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.

Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.

New article published in Film Stories Magazine, Issue 5, Out now!

An extended article I wrote for the spectacular new print magazine Film Stories has now been published. The feature is about the too often overlooked 90s rom com Jack & Sarah, starring Richard E. Grant, Samantha Mathis, Sir Ian McKellen, Dame Judi Dench and Dame Eileen Atkins. Spread across five pages, I argue that the film is well worth a revisit and discuss its many merits. It includes extracts from an exclusive interview I did with the writer/director, Tim Sullivan, who was very generous with his time and shared so many interesting stories about the making of his ‘baby.’

Film Stories, Issue 5, is available now from the BFI Shop, WHSmiths and via mail order. It’s a snip at just £5.99, or it’s even cheaper if you opt for a subscription deal! This issue also includes:

  • The stars of Rocketman on bringing the Elton John biopic to the screen
  • Richard O’Brien on the lost Rocky Horror Picture Show sequels
  • The movie apocalypse films that have flown under the radar: Reign Of Fire, anyone?
  • True confessions of a movie PR rep
  • The woman who transformed Warner Bros’s movie marketing
  • Jack & Sarah: revisiting an overlooked 90s British movie.
  • The evolution of movie special effects, and the return of practical
  • Three films and he’s out: the movie career of Yahoo Serious
  • Celebrating the musical films of John Carney
  • The trick to making a horror movie remake

So don’t miss out! And I hope you enjoy reading my lovingly crafted article!

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Selected for FrightFest New Blood 2018 & new micro-short ‘Shushpiria’ online!

I had excellent news this month! One of my feature film pitches, a period horror piece, has been selected for Arrow Video FrightFest’s New Blood 2018 scheme with Queensbury Pictures! The scheme aims to find new writers and nurture their project from script to screen. One of last year’s entries, thriller Broadcast Signal Intrusion, is now in pre-production and due to be shot later this year.

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I’m ecstatic to be one of eight writers selected, and have already had invaluable mentoring by BAFTA-nominated UK producer Jack Tarling (God’s Own Country; Await Further Instructions), horror icon Barbara Crampton (You’re Next, Re-Animator, From Beyond), director (The Ranger) and producer (Psychopaths) Jenn Wexler, and Queensbury Pictures’ Giles Edwards. Over the next few months, I’m going to hone the script and see if this scary baby can be brought to life. Many thanks to FrightFest and Queensbury Pictures for the opportunity.

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New Blood with mentors, photo by Julie Edwards Photography

Also, I made an ident for FrightFest – Shushpiria – which is now available online! A spoofy love letter to Argento’s Suspiria, it screened just before the UK premiere of The Ranger on both main screens, including the iMax, which blew me away. The point of the ident is to get the audience to switch of their phones.

This no-budget project was shot in one day by a very talented and creative team who gave their time because of their passion for it (credits at the end of the film). It’s a huge challenge to spoof something as specific and well-loved as Suspiria, but the lovely feedback from the crowd suggests the effort worth it. It was tremendous fun to do, even down to recording the faux Goblin music. Little bit of trivia – the painting in the background of the phone scene is by my dad – a very talented artist. Enjoy!

Selected for BAFTA Crew Film/TV 2018

Chuffed to announce that I’ve been selected for the BAFTA Crew Film/TV programme 2018! I’m part of a group of shorts to feature writers, directors and producers who are working towards their debut feature or TV show over the next few years.

Looking forward to meeting everyone and getting started on the roundtables, seminars and networking events. Knowledge is power. @BAFTAGuru #baftacrew2018

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BAFTA Crew 2018 participant

Blood Shed selected for TWO Oscar festivals and wins more awards!

2018 is now in full swing, and this is my first news post since the birth of my amazing baby daughter, Ava-Grace, in January. I’m loving balancing motherhood with my writing and filmmaking, and have actually found myself with a renewed sense of vigour, despite the mountain of diapers I have to contend with on a daily basis. I’m incredibly inspired and the ideas don’t stop coming at the moment. I can’t wait to share them, but for now, I’m riding the wave of love for Blood Shed!

Since making its festival debut last August at FrightFest, Blood Shed has been selected for more than 30 festivals across the globe, winning 6 awards and garnering many more nominations, and we’ve still a long way to go! Our latest win in February was the Best International Short award at Nevermore Film Festival in North Carolina.18_Nevermore_Jury_Award_Black

It’s been just over a year since we smashed our Kickstarter campaign target and began production on the the film, and James and I can hardly believe it, but Blood Shed has been selected for TWO Oscar qualifying festivals in the USA. The first is Nashville Film Festival! It’s one of the longest-running film festivals in the US and one of the most acclaimed in the South, so we’re thrilled to be part of it. We’re screening with the superb Found Footage 3D on 18th & 19th May. Nashville had nearly 5000 short film submissions this year, selecting just 215, and we’re competing as part of the Graveyard Shift competition.

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The second qualifier is the amazing Seattle International Film Festival! Connie screened at #SIFF last year, so Seattle feels like home for me as a filmmaker. It’s the largest and most highly-attended festival in the USA and the selection of films this year is not to be missed. Blood Shed screens on 26th May as part of the Terror Internationale block.

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It’s not that we think a film about a man-eating shed would ever actually be nominated for an Oscar, but it feels amazing to get recognition from such big festivals that get thousands and thousands of submissions from films of all genres from across the globe.

Finally, I’m happily beavering away at feature ideas, with several already scripted and others at the outline or pitching stages. I’m also keen to get back on set and shoot my next two shorts from the Summer, but am making sure I get plenty of time to enjoy my babymoon with my favourite Moranic production…

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Photo by Michael Gill Photography, 2018

Blood Shed wins big at Knoxville Horror and Sick Chick Flicks fests! Podcast appearance!

Blood Shed continues to cook up a storm in the US! Our little sheddy tale of guts and gore has brought us glory the last few weeks, notching up several awards! First, we were stunned to wake up to the news that Blood Shed scooped THREE awards at the prestigious Knoxville Horror Film Fest

We beat stiff competition to be crowned Funniest Film, and James Moran was named Best Director for a short, and we won Best Script for a short film, too. As Producer, Co-Writer and Production Designer, I’m grinning from ear to ear and thrilled that our rather unique tale has found its place on the film scene so quickly.

The awesome trophies arrived this week and are now adorning the Moranic Productions gong shelves!

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And there’s been even more glitz and glory for the film thanks to the amazing Sick Chick Flicks Film Festival in North Carolina!

The festival team kindly picked our star, Shaun Dooley, as the winner of the Best Male Lead Award. Here’s a quick peek at the trophy that is currently en route – what a hot bird! We can’t wait to unwrap this little chick.

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Huge thank you to both festivals and their judges, but also to our supporters who helped get this film made and spread the word about it. It’s an honour to share it with so many like-minded shed-fanciers.

We have more screenings coming up. We’re screening at the awesome Ax Wound Film Festival in Vermont on Saturday 18th November, then we’re back in London on home turf for the Underwire Festival 2017 where we’ll be screening at the Prince Charles Cinema on Friday 24th November. Come and show your support if you can. I’m nominated for their Best Producer award and at more than 8 months pregnant, I am extra, extra emotional about this nomination!

In other news, James and I are guests on the latest edition (season 2, ep 7) of the brilliant film podcast Casting the Runes! We were chuffed to chat with the lovely Runes team and had a great time talking about Creepshow and Blood Shed. Have a listen to the episode here! We hope you find the things we say insightful as well as plain odd, weird and strange.