Our secret ident for Arrow Video FrightFest this year is now online for free – #FFIDENT20 – FrightFest Opening Night of the Dawn of the 28th Day. Starring Andy Nyman, Emily Booth, Kim Newman, Jack Doolan, Adam Green & Joe Lynch.
Please watch, rewatch, share. I loved directing the Night of the Living Dead segment with the wonderful Emily Booth – such a funny woman. Huge thanks to her and our other brilliant guest stars. We made this with a huge amount of love, care and attention couldn’t have done this without the fab crew who gave us days and days of their time on this epic labour of love – Kirsty Graham, Joao L C Da Silva, Stu Dye, Taylor Rae Papworth, Grace Sargeant, Rhian Webster, Lauren Webster, Louise Brightman. This is our last ident as we’ll never beat this one!
It was screened before the UK premiere of Come to Daddy at FrightFest on the gigantic iMax screen last night.
Ta dah! My latest podcast appearance has been unleashed on the world via Apple Podcasts and other great platforms! I had a blast chatting to Mike Muncer, with James Moran, about George A Romero’s classic flick Day of the Dead for the Evolution of Horror podcast. It’s episode 10 of the season on zombie flicks. The episode was recorded shortly before the sad passing of one of the stars – Joseph Pilato – RIP.
We’re paired with fellow filmmaker Sam Ashurt who discusses the other zombie game-changer of 1985 – Return of the Living Dead. It’s a really cool episode and well worth a listen! You can listen at the Evolution of Horrorwebsite, and find out more about Mike’s Patreon campaign for the series here. Go support!
Brilliant news! My award-winning short Connie is now available to buy on Shorts International’s iTunes stores in the US and Europe! Better still, the foul-mouthed puppet is a cheap gal – a snip at only $2.99 or £1.99 respectively – so fill your stockings this festive season with twenty minutes of our little felt-covered diva.
Connie has had an incredible journey since the shoot in May 2016, playing festivals globally, including awards qualifiers, winning awards, receiving great reviews and entertaining audiences we could only have dreamed of. Being able to share it now with a whole new audience is really something else. Film festivals rock, but so few people can actually get to them, so I’m proud that Connie has been licensed by Shorts International.
The film showcases the incredible talent of our superstar, Catrin Stewart, who did an incredible job of playing two roles at once and also operating a puppet – all in just two days on set! It also features the legend that is Kim Newman. It’s a film I’m incredibly proud of. Meeting audiences at festivals and seeing their reactions to the film, and to me and the puppet, has been an extra slice of joy.
Connie is also screening now on ShortsTV’s channel in the US, with the European premiere coming very soon. ShortsTV is the world’s first 24/7 HD TV channel dedicated to shorts, and currently available to approximately 25 million homes, with more channels across the globe to come. More details on how to watch ShortsTV here.
I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!
The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!
Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.
You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!
It’s been six months since we shot Blood Shed, and the shed has had something of a meteoric rise since its World Premiere at Horror Channel FrightFest in London just over a month ago! As co-writer, producer and production designer of this tale of 80s shed gore, I couldn’t be more proud.
We just yesterday found out that we’ve been selected by our SIXTEENTH festival! AND we’ve been nominated for an award at Sick Chick Flicks Film Festival in North Carolina!
To have sixteen festivals booked in little over a month since our World Premiere is really quite a feat, and we’re overjoyed that so many festival programmers love a story about a killer shed as much as we do! It’s all come as rather a surprise to James and I. We’ve never had a film gather such momentum so fast and only hope that the little shed that could continues to find its tribe on the festival scene and beyond! My fingers and toes are crossed daily.
Blood Shed has two festival outings this week in case you’re able to catch it on the big screen. First, the film will be screening in Pennsylvania, USA on Friday 6th October at the Indie Horror Drive-In Film Festival.
Then on Saturday 7th October, the shed is back in London to rock Wimbledon International Short Film Festivalfrom 7.30pm, where we’re nominated for the Best London Filmmaker award, and eligible for two further awards to be decided on the night!
More details on the festivals that we’ve been able to announce so far can be found on the Screenings page of the official Blood Shedwebsite, which is crammed with stuff!
We’ve also had a flurry of exceptional reviews following our premiere. Here are just a few highlights with some linky links for clicky clicks if you want to feast your eyes on the full reviews. They’re rather lovely and have certainly left us all warm and fuzzy inside.
“…indebted to the CGI-free horror of the Eighties, and in particular to George A. Romero’s Creepshow (1982)… as though this were a lost British segment of Romero’s anthology film.” SciFiNow
“A thirteen-minute slice of genius… enough gags and gore to put a smile on anyone’s face… Davies and her partner-in-cinematic-crime James Moran have a perfect handle on what makes an entertaining and memorable short.” Starburst
“Loaded with laughs and gore to satisfy in this very niche sub-genre you never knew you needed.” HorrorTalk
We’ve had such tremendous support from our Kickstarter backers and new fans who’ve discovered the film since we ran our crowdfunding campaign back in February. All digital rewards, and most of the physical perks, have been sent out for the gang to enjoy. Those waiting on swag packs that include a poster, badges and magnet – never fear – they’ll be on your doorstep in no time. They’ll be worth the wait!
We may offer some of the remaining limited edition merchandise as competition prizes at festivals or on social media, so keep your eyes peeled on the Twitter feed.
We’re deep in pre-production on our next short film, Hank: Portrait of a Serial Killer, which is due to be shot in November (depending on when my baby decides she’s ready to come out) and completed in early 2018. This one is written and directed by me, and produced by James and I. There’s no shed this time, but still lots of gore, blood and jokes. We hope to share this with the festival scene next year.
Months and months of hard work have now finally paid off! Yes, Blood Shed is now complete! Bringing this unique tale of a guy’s deep, obsessive love for his man-eating shed to life was far from easy, but James Moran and I can now finally celebrate as our short film is unleashed on audiences!
And even better still, we’ve had a terrific response to our trailer, and a flurry of fantastic news through from film festivals! Good news, it seems, is like buses! Long may it continue! I love it when a bus comes on time!
Blood Shed‘s WORLD PREMIERE will take place at the UK’s biggest genre festival – Horror Channel FrightFest, on 27th August! We’re especially thrilled to be part of FrightFest again and screening as one of only twenty-six shorts selected for the festival this year. Having our laughably twisted work recognised in this way is a big honour. We had no idea that our story about a bloodthirsty shed, with an aesthetic inspired by Creepshow and 80s horror, including the fashion and style, would strike a chord in this way.
Back when we wrote the first draft of the script together, last December, James and I could only have dreamed of getting this kind of response. This certainly makes the pain and torment of crowdfunding feel worth it, and we can’t wait to share it with all our pledgers, festival audiences and dare we say it, reviewers (*chews off nails frantically in anticipation*). As co-writer, producer and production designer of the piece, I put my heart and soul into Blood Shed… and she certainly enjoyed eating me up for months on end! But the hard work doesn’t stop now… The marketing and distribution has only just begun, merchandise has been designed and ordered, the extra content and digital goodies are being pulled together for Kickstarter supporters, and the press train is underway! When I see this image of our two amazing stars, Shaun Dooley and Sally Phillips, drenched in blood, it reminds me that they probably had it harder than me on this film!
Though Blood Shed has felt all-consuming (how many references to being eaten can I crowbar into this blog?!), 2017 has been a huge year for me in other respects, too.
Conniecontinues to enjoy success on the festival scene and has even picked up some awards, and festival acceptances are still coming in. Looks like there’s life in the little foul-mouthed puppet film yet! There are numerous festivals that I’m itching to announce, but can’t just yet, but there are some very exciting ones coming imminently, including GenreBlast and FilmQuest, both in the US in September!
My next project as writer/director, Hank: Portrait of a Serial Killer, is now in pre-production, with a view to shooting over the next few months… More on that soon.
This year I’ve also achieved a couple of massive life goals! I successfully completed my second Masters degree, in Professional Media Practice, validated by the University Of Bournemouth. My final project, on slasher films, feminism and psychoanalytic film theory, was the culmination of five years of blood, sweat and tears, and resulted in my original feature film script and insightful research on slasher films and feminism. Having studied previous modules at the Met Film School, Goldsmiths and with the BBC Academy, I learned and grew so much over the five years of study, and so many of my writing and directing projects have been researched, developed or inspired as a result of the MA. Considering I hated school when I was a kid and felt like a complete outsider, it’s hard to believe that I now have two Masters degrees!
But, an even bigger life goal has been unlocked that will make me look rather different in my graduation gown at the MA presentation ceremony in November… James and I are expecting a baby! Yes, a beautiful, no doubt loud, giggly and impatient, little girl! Not only will I be an MA, and MA, I will literally be a MAMA! James and I are both thrilled that we’ll be parents. We can’t wait to meet our little warrior woman and shower her with love.
But, I’m still writing, producing, directing and am generally unstoppable. There’s nothing that Team Moranic can’t achieve. We’ll just have a super cute, extra little team player on our side soon.
After a tiring month-long campaign, Blood Shed hit and exceeded its Kickstarter target on 27th March! James Moran and I are overjoyed. When we embarked on this crazy dream of a man-eating shed, we had no idea that we’d end up with pledges hitting 114% from 166 backers.
We initially aimed for £10,000, so this is a real triumph for us. Yes, Kickstarter takes a share of this for using the platform, and we have to cover the rewards and postage and packing from this amount, but this is still a good sum of money to make a really ambitious short film with. Nevertheless, purse strings will be tight and we want to make Blood Shed the most amazing film that we can, so we’re working round the clock on pre-production and will be squeezing the most from every single penny.
James is directing, I’m producing and we wrote the piece together – our first official writing collaboration – so this is rather a special project for us. It’s come a long way since my initial light bulb moment when I was cooking last November and improvising trailer voice overs for imaginary films! This happens to be how a lot of ideas come to me…
The support we’ve had from pledgers, press, bloggers, industry bods and film enthusiasts has been amazing, as has the support from family and friends. Running a crowdfunding campaign is tough – nothing prepares you for the sheer blood, sweat and tears that goes into it, and the round the clock management is all-consuming. You find yourself working through your sleep, skipping meals, unable to answer personal calls or even go out sometimes. Also, no amount of research into peak times, best times to launch and end, best times to make announcements, types of perks to offer and pricing, etc. really makes much of a difference – there’s a lot of luck and a lot of random peaks and troughs along the way. All the support we had really kept us going and motivated us to keep being creative and interacting in different ways across different platforms. You all helped us to keep the faith!
We shoot the film at the end of April, so just a few weeks away, and we’re hoping to have the film completed in June. The film stars the amazing Sally Phillips and Shaun Dooley, and we’ve an impressive team on board. You can read more about the cast and crew at the official Blood Shed website.
We still have a limited number of perks left, such as signed scripts, limited edition merchandise packs, digital downloads, writing-related perks, and props from the film. These perks are available for purchase from the Blood Shedwebsite until 1st May 2017 only.
I’ll keep posting updates, but more information will be added to the film’s website over time. For now Shedites, thank you. And I’m off for a quick sleep.