A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.
A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.
Massive thanks to Rachel for chatting with me so openly and sincerely about the production.
The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.
Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.
Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.
Another year, another Arrow Video FrightFest film festival done and dusted. As well as opening the 20th anniversary of the festival with #FFIDENT20 just before the premiere of Come to Daddy, I’m also really chuffed to be included in the Evolution of Horror special reviewing the festival. It’s a fantastic podcast and includes contributions from special guests, filmmakers, podcast listeners and FrightFest fans.
You can catch me at around 1 hour 13 minutes discussing my favourite film of the festival – the one that stole my heart and ate it. No hints!
An extended article I wrote for the spectacular new print magazine Film Stories has now been published. The feature is about the too often overlooked 90s rom com Jack & Sarah, starring Richard E. Grant, Samantha Mathis, Sir Ian McKellen, Dame Judi Dench and Dame Eileen Atkins. Spread across five pages, I argue that the film is well worth a revisit and discuss its many merits. It includes extracts from an exclusive interview I did with the writer/director, Tim Sullivan, who was very generous with his time and shared so many interesting stories about the making of his ‘baby.’
Film Stories, Issue 5, is available now from the BFI Shop, WHSmiths and via mail order. It’s a snip at just £5.99, or it’s even cheaper if you opt for a subscription deal! This issue also includes:
The stars of Rocketman on bringing the Elton John biopic to the screen
Richard O’Brien on the lost Rocky Horror Picture Show sequels
The movie apocalypse films that have flown under the radar: Reign Of Fire, anyone?
True confessions of a movie PR rep
The woman who transformed Warner Bros’s movie marketing
Jack & Sarah: revisiting an overlooked 90s British movie.
The evolution of movie special effects, and the return of practical
Three films and he’s out: the movie career of Yahoo Serious
Celebrating the musical films of John Carney
The trick to making a horror movie remake
So don’t miss out! And I hope you enjoy reading my lovingly crafted article!
I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!
The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!
Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.
You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!
Seeing your work in print is a great buzz for any writer, but it’s all the more special when the story is personal, heartfelt and concerns the life of a loved one who has since departed.
Earlier this year, I was thrilled to receive the news that my short story, The Shells at Miramare Market, had won the Fresher Publishing Writing Prize for Creative Non-Fiction 2017.
After submitting to the independent publisher, Fresher, late last year, I did what many writers often do – logged that I’d submitted the piece, filed it away and completely forgot all about it, expecting to hear nothing at all or perhaps a ‘thanks but no thanks’ email. Much to my surprise, I didn’t just receive a standard email – I was ecstatic to learn that I’d actually won! Not only had I bagged myself a nice title and a prize of a consultation with a publisher, the story would also be published in the print anthology alongside all the category finalists and winners for the year.
After several months of eager anticipation, Fresher Writing Volume 3 arrived at my doorstep – an advance copy! Though I often read books on my iPad, there’s nothing quite like holding and smelling a real book. It takes me back to my childhood – devouring the pages of my dad’s old Penguin Classics with the orange spines and that distinctive smell of age.
Turning the pages of the beautifully bound paperback anthology, it is a joy to see the story in print. It’s been a little while since my last short story appeared in print or was recorded for radio, but this story is extra special. Inspired by the true story of my dad’s mother’s secret life as a partisan in her native Italy during World War 2, The Shells at Miramare Market is a blend of Sofia’s stories as they were retold to us over the years, mixed with a little invention to plug factual gaps.
Sofia sadly passed away in 2015, followed shortly after by her husband of six decades, Ronnie, but I was extremely fortunate to have a private recording, made just a few months before her passing, of her talking about her life to guide me through the writing process. Hearing her voice helped me develop the character of the piece, but I also interviewed my dad to get more detail – descriptions of Miramare, Trieste and his memories of his mum, her attitudes and her parents, but also her brother Mario, a fellow partisan who suddenly went missing one day during the war. The family never knew what happened to him and suspect he ended up a victim of war, possibly in the Karst Foiba. This loss was often commented on by Sofia and was something that she carried with her through her life.
Though the piece is termed creative non-fiction for good reason, I felt a great responsibility to tell her story as sensitively and accurately as I could. But I also wanted to tell her story in a compelling way – structuring the narrative and invented dialogue in my scenic writing to hook in the reader, create tension and even laugh at the juxtaposition of the little frail old lady with a surprising, dark and heroic past that you’d never have known just by looking at her. Though her passing was recent at the time of writing the piece, and therefore raw and quite difficult for myself and my dad, it’s such a personal piece and one that I was completely invested in – more so than much of my other work – and I hope this shows in the quality of the writing, the narrative, dialogue and characterisation. I’m proud of this story and feel it’s a love letter to Sofia and to her life. And who knows, maybe there is more to this story and it could become something more long-form…
Fresher Writing Volume 3 will shortly be available to purchase via Amazon. Stay tuned for a link!