I’m so happy to be part of the writing team on The Companion, a brand new app and website devoted to 90s scifi. There’ll be long reads, podcasts, daily trivia, infographics and artwork to indulge in as your companion to all the films and TV shows that made the era so special. From Armageddon to The X Files, The Companion is an insider look at who, how, and why our favourite films and shows were made from the cast, crew and experts who were there. As it’s app/website, the material will be up-to-date and it’ll always be with you in your pocket.
The Kickstarter campaign to raise a wedge of funds to aid the launch in August is now live and has already raised a huge proportion of the total needed in just two days, but there’s still a little way to go and great perks to be had – early bird subscription offers, art prints, enamel pins and more! Head over the the page for more details!
Aside from writing my new play, prepping for my next short film and cooking up some other secret projects, I carved out time to write another piece for the INCREDIBLE movie magazine, Film Stories, issue fourteen.
This time, I interviewed eight great directors about the challenges they’ve faced getting their feature films made, their inspirations, honing their craft, obstacles they’ve overcome and still combat in the industry, and they also shared their wisdom and advice for new filmmakers. Oh, and though not a big deal, all eight of these incredible directors are female filmmakers. Both Film Stories and I are proud of this. We celebrate them in this mammoth nine-age article, the longest feature that Film Stories has published to date. It’s available in indie shops, the BFI Southbank shop and to order online.
Huge thanks to the filmmakers who spoke to me around their exceptionally busy work schedules and personal commitments to share their stories and experiences:
Hope Dickson Leach
And great thanks to Simon Brew, the editor of Film Stories, for asking me to write this, but also for consistently putting together such a brilliantly entertaining, informative, exciting, independent and cool magazine, and in glorious fine-smelling print no less, not just digital.
I LOVE a good podcast, especially podcasts about films, so I was chuffed to chat about two great stonkers in two recent podcasts, both of which are now available for your aural pleasure.
First, I chatted to Mike Muncer on the hugely popular Evolution of Horrorpodcast about Ti West’s 2009 retro occult horror, The House of The Devil. A stunning example of beautiful low-budget independent filmmaking, which wears its influences on its sleeve, Mike and I delved deep into the plot, aesthetic, its legacy and superstar Greta Gerwig’s supporting role, as well as its film nerd status as a fine example of ‘mumblegore.’ This episode is twinned with Mike’s chat with Robb Watts about another witchy release from the same year, the equally brilliant Drag Me To Hell by Sam Raimi. Have a listenhere or via Apple Podcasts and other services. It’s recently been Apple Podcast’s number one film history podcast!
Then I had a good old natter with Mark Goddard and Chloe Davies for the Franchise Players podcast about one of the best thrillers that has ever been made – yes, I said thriller rather than horror – Richard Donner’s 1976 classic, The Omen. This is another movie I have such respect for, and Mark, Chloe and I discussed the film in great detail – scene by scene where we could, evaluating the story, performance, score, its set pieces, where its genre lines blur and the influence it’s had on modern horror classics. We spoke for several hours and I could have praised it for another six hours. You can listen here.
If you love a bit of film history, critique and trivia, or just want to get your geek on during your commute, when cooking, in the bath or when trying to sleep, or you’re searching for creative inspiration, both are a good, fun and worthy listen. Enjoy!
And there’s more of me chatting on podcasts to come over the coming months… To be announced soon!
A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.
A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.
Massive thanks to Rachel for chatting with me so openly and sincerely about the production.
The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.
Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.
Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.
Another year, another Arrow Video FrightFest film festival done and dusted. As well as opening the 20th anniversary of the festival with #FFIDENT20 just before the premiere of Come to Daddy, I’m also really chuffed to be included in the Evolution of Horror special reviewing the festival. It’s a fantastic podcast and includes contributions from special guests, filmmakers, podcast listeners and FrightFest fans.
You can catch me at around 1 hour 13 minutes discussing my favourite film of the festival – the one that stole my heart and ate it. No hints!
An extended article I wrote for the spectacular new print magazine Film Stories has now been published. The feature is about the too often overlooked 90s rom com Jack & Sarah, starring Richard E. Grant, Samantha Mathis, Sir Ian McKellen, Dame Judi Dench and Dame Eileen Atkins. Spread across five pages, I argue that the film is well worth a revisit and discuss its many merits. It includes extracts from an exclusive interview I did with the writer/director, Tim Sullivan, who was very generous with his time and shared so many interesting stories about the making of his ‘baby.’
Film Stories, Issue 5, is available now from the BFI Shop, WHSmiths and via mail order. It’s a snip at just £5.99, or it’s even cheaper if you opt for a subscription deal! This issue also includes:
The stars of Rocketman on bringing the Elton John biopic to the screen
Richard O’Brien on the lost Rocky Horror Picture Show sequels
The movie apocalypse films that have flown under the radar: Reign Of Fire, anyone?
True confessions of a movie PR rep
The woman who transformed Warner Bros’s movie marketing
Jack & Sarah: revisiting an overlooked 90s British movie.
The evolution of movie special effects, and the return of practical
Three films and he’s out: the movie career of Yahoo Serious
Celebrating the musical films of John Carney
The trick to making a horror movie remake
So don’t miss out! And I hope you enjoy reading my lovingly crafted article!
I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!
The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!
Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.
You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!
Seeing your work in print is a great buzz for any writer, but it’s all the more special when the story is personal, heartfelt and concerns the life of a loved one who has since departed.
Earlier this year, I was thrilled to receive the news that my short story, The Shells at Miramare Market, had won the Fresher Publishing Writing Prize for Creative Non-Fiction 2017.
After submitting to the independent publisher, Fresher, late last year, I did what many writers often do – logged that I’d submitted the piece, filed it away and completely forgot all about it, expecting to hear nothing at all or perhaps a ‘thanks but no thanks’ email. Much to my surprise, I didn’t just receive a standard email – I was ecstatic to learn that I’d actually won! Not only had I bagged myself a nice title and a prize of a consultation with a publisher, the story would also be published in the print anthology alongside all the category finalists and winners for the year.
After several months of eager anticipation, Fresher Writing Volume 3 arrived at my doorstep – an advance copy! Though I often read books on my iPad, there’s nothing quite like holding and smelling a real book. It takes me back to my childhood – devouring the pages of my dad’s old Penguin Classics with the orange spines and that distinctive smell of age.
Turning the pages of the beautifully bound paperback anthology, it is a joy to see the story in print. It’s been a little while since my last short story appeared in print or was recorded for radio, but this story is extra special. Inspired by the true story of my dad’s mother’s secret life as a partisan in her native Italy during World War 2, The Shells at Miramare Market is a blend of Sofia’s stories as they were retold to us over the years, mixed with a little invention to plug factual gaps.
Sofia sadly passed away in 2015, followed shortly after by her husband of six decades, Ronnie, but I was extremely fortunate to have a private recording, made just a few months before her passing, of her talking about her life to guide me through the writing process. Hearing her voice helped me develop the character of the piece, but I also interviewed my dad to get more detail – descriptions of Miramare, Trieste and his memories of his mum, her attitudes and her parents, but also her brother Mario, a fellow partisan who suddenly went missing one day during the war. The family never knew what happened to him and suspect he ended up a victim of war, possibly in the Karst Foiba. This loss was often commented on by Sofia and was something that she carried with her through her life.
Though the piece is termed creative non-fiction for good reason, I felt a great responsibility to tell her story as sensitively and accurately as I could. But I also wanted to tell her story in a compelling way – structuring the narrative and invented dialogue in my scenic writing to hook in the reader, create tension and even laugh at the juxtaposition of the little frail old lady with a surprising, dark and heroic past that you’d never have known just by looking at her. Though her passing was recent at the time of writing the piece, and therefore raw and quite difficult for myself and my dad, it’s such a personal piece and one that I was completely invested in – more so than much of my other work – and I hope this shows in the quality of the writing, the narrative, dialogue and characterisation. I’m proud of this story and feel it’s a love letter to Sofia and to her life. And who knows, maybe there is more to this story and it could become something more long-form…
Fresher Writing Volume 3 will shortly be available to purchase via Amazon. Stay tuned for a link!