I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!
The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!
Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.
You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!
I had excellent news this month! One of my feature film pitches, a period horror piece, has been selected for Arrow Video FrightFest’s New Blood 2018 scheme with Queensbury Pictures! The scheme aims to find new writers and nurture their project from script to screen. One of last year’s entries, thriller Broadcast Signal Intrusion, is now in pre-production and due to be shot later this year.
I’m ecstatic to be one of eight writers selected, and have already had invaluable mentoring by BAFTA-nominated UK producer Jack Tarling (God’s Own Country; Await Further Instructions), horror icon Barbara Crampton (You’re Next, Re-Animator, From Beyond), director (The Ranger) and producer (Psychopaths) Jenn Wexler, and Queensbury Pictures’ Giles Edwards. Over the next few months, I’m going to hone the script and see if this scary baby can be brought to life. Many thanks to FrightFest and Queensbury Pictures for the opportunity.
Also, I made an ident for FrightFest – Shushpiria – which is now available online! A spoofy love letter to Argento’s Suspiria, it screened just before the UK premiere of The Ranger on both main screens, including the iMax, which blew me away. The point of the ident is to get the audience to switch of their phones.
This no-budget project was shot in one day by a very talented and creative team who gave their time because of their passion for it (credits at the end of the film). It’s a huge challenge to spoof something as specific and well-loved as Suspiria, but the lovely feedback from the crowd suggests the effort worth it. It was tremendous fun to do, even down to recording the faux Goblin music. Little bit of trivia – the painting in the background of the phone scene is by my dad – a very talented artist. Enjoy!