Nine-page article in Film Stories mag, Issue 14, March 2020 – on sale now!

Aside from writing my new play, prepping for my next short film and cooking up some other secret projects, I carved out time to write another piece for the INCREDIBLE movie magazine, Film Stories, issue fourteen.

This time, I interviewed eight great directors about the challenges they’ve faced getting their feature films made, their inspirations, honing their craft, obstacles they’ve overcome and still combat in the industry, and they also shared their wisdom and advice for new filmmakers. Oh, and though not a big deal, all eight of these incredible directors are female filmmakers. Both Film Stories and I are proud of this. We celebrate them in this mammoth nine-age article, the longest feature that Film Stories has published to date. It’s available in indie shops, the BFI Southbank shop and to order online.

Huge thanks to the filmmakers who spoke to me around their exceptionally busy work schedules and personal commitments to share their stories and experiences:

Alice Lowe

Prano Bailey-Bond

Rachel Tunnard

Hope Dickson Leach

Aislinn Clarke

Rita Osei

Jeanie Finlay

Chelsea Stardust

And great thanks to Simon Brew, the editor of Film Stories, for asking me to write this, but also for consistently putting together such a brilliantly entertaining, informative, exciting, independent and cool magazine, and in glorious fine-smelling print no less, not just digital.

New article in Film Stories magazine, Issue 10, Oct 2019 – on sale now!

A brand spanking new article written by me is featured in the latest issue of the wonderful Film Stories magazine! It’s my third piece for the mag.

A five-page spread all about Rachel Tunnard’s brilliant 2016 film, Adult Life Skills starring Jodie Whittaker, it was a delight to write and reflect on. I spoke to Rachel about how she made her debut feature and there’s so much to learn from her experiences.

Massive thanks to Rachel for chatting with me so openly and sincerely about the production.

The article’s called Patching Up and starts on page 74 in issue 10 – the October edition of the magazine.

 

Out now in print and digital format, Film Stories is available online and in independent stores, including the BFI Southbank shop, with super cheap subscription options, too.

Thanks to Simon Brew for commissioning me to write this article about a film I love, again. I’m always really proud to be part of this very special movie mag.

New short play, ‘Crappy Birthday to Me,’ a success at Slung Low Shorts, Leeds

This month, my short comedy play Crappy Birthday to Me premiered at the marvellous Slung Low Shorts alongside a collection of new plays by new and established writers. Slung Low 4, as it was Slung Low’s fourth outing, was performed at The Holbeck, Leeds from 18th to 21st July. I was delighted to be asked to be part of Slung Low this year – it was an honour.

Crappy Birthday to Me is a twisted family comedy about a twentysomething woman who returns home to a secret birthday party. She is less than thrilled at the idea of an awkward evening with her parents and sister, but this is no ordinary birthday bash…

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I was super excited to be there on the opening night and meet my cast and director, and see and hear the reaction of the audience. It was a full house and I’m really proud of the team for pulling it together so brilliantly. And some horror geek trivia, the dad was played by Michael S. Siegel who was in Killer Klowns from Outer Space!

With the cast and director

I’ll be bringing this short play to London soon, and may possibly turn it into a short film, but for now… I’m happy to say that my play was the one with the most clean up afterwards… Apologies to the stage management team for putting up with the fruits of my mad brain.

And huge thanks to all of Slung Low for including me in the line up this year! It was utterly brilliant and I can’t wait to see Slung Low 5.

The aftermath…

New article published in Film Stories Magazine, Issue 5, Out now!

An extended article I wrote for the spectacular new print magazine Film Stories has now been published. The feature is about the too often overlooked 90s rom com Jack & Sarah, starring Richard E. Grant, Samantha Mathis, Sir Ian McKellen, Dame Judi Dench and Dame Eileen Atkins. Spread across five pages, I argue that the film is well worth a revisit and discuss its many merits. It includes extracts from an exclusive interview I did with the writer/director, Tim Sullivan, who was very generous with his time and shared so many interesting stories about the making of his ‘baby.’

Film Stories, Issue 5, is available now from the BFI Shop, WHSmiths and via mail order. It’s a snip at just £5.99, or it’s even cheaper if you opt for a subscription deal! This issue also includes:

  • The stars of Rocketman on bringing the Elton John biopic to the screen
  • Richard O’Brien on the lost Rocky Horror Picture Show sequels
  • The movie apocalypse films that have flown under the radar: Reign Of Fire, anyone?
  • True confessions of a movie PR rep
  • The woman who transformed Warner Bros’s movie marketing
  • Jack & Sarah: revisiting an overlooked 90s British movie.
  • The evolution of movie special effects, and the return of practical
  • Three films and he’s out: the movie career of Yahoo Serious
  • Celebrating the musical films of John Carney
  • The trick to making a horror movie remake

So don’t miss out! And I hope you enjoy reading my lovingly crafted article!

Film Stories cover art

New article featured in Film Stories magazine

I’m really proud to say that an article James Moran and I wrote about our hit short, Blood Shed, is featured in issue one of the brand spanking new movie buff magazine, Film Stories!

The magazine is the brainchild of Den of Geek founder, Simon Brew, and accompanies his popular new podcast  – also entitled Film Stories. The magazine was recently funded by a massively successful Kickstarter campaign, smashing the initial target – almost doubling it. It champions new releases and new writing, celebrates all the geeky film stuff that you want to read about, and features regular columns by stand-up Romesh Ranganathan, BAFTA-winning creator of Wolfblood, Debbie Moon, and writer/director of The Levelling, Hope Dickson Leach. So we’re in great company!

Our article addresses how to get your film noticed and more bang for your buck when submitting to film festivals, with our hints and tips for playing the odds and creating a successful strategy. There are also some of our lovely behind the scenes photos taken by the brilliant Mike Shawcross.

You can get your hands on a copy of issue one now, or subscribe so you don’t miss out on the next magnificent issue!

 

 

 

Selected for BAFTA Crew Film/TV 2018

Chuffed to announce that I’ve been selected for the BAFTA Crew Film/TV programme 2018! I’m part of a group of shorts to feature writers, directors and producers who are working towards their debut feature or TV show over the next few years.

Looking forward to meeting everyone and getting started on the roundtables, seminars and networking events. Knowledge is power. @BAFTAGuru #baftacrew2018

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BAFTA Crew 2018 participant

Blood Shed selected for TWO Oscar festivals and wins more awards!

2018 is now in full swing, and this is my first news post since the birth of my amazing baby daughter, Ava-Grace, in January. I’m loving balancing motherhood with my writing and filmmaking, and have actually found myself with a renewed sense of vigour, despite the mountain of diapers I have to contend with on a daily basis. I’m incredibly inspired and the ideas don’t stop coming at the moment. I can’t wait to share them, but for now, I’m riding the wave of love for Blood Shed!

Since making its festival debut last August at FrightFest, Blood Shed has been selected for more than 30 festivals across the globe, winning 6 awards and garnering many more nominations, and we’ve still a long way to go! Our latest win in February was the Best International Short award at Nevermore Film Festival in North Carolina.18_Nevermore_Jury_Award_Black

It’s been just over a year since we smashed our Kickstarter campaign target and began production on the the film, and James and I can hardly believe it, but Blood Shed has been selected for TWO Oscar qualifying festivals in the USA. The first is Nashville Film Festival! It’s one of the longest-running film festivals in the US and one of the most acclaimed in the South, so we’re thrilled to be part of it. We’re screening with the superb Found Footage 3D on 18th & 19th May. Nashville had nearly 5000 short film submissions this year, selecting just 215, and we’re competing as part of the Graveyard Shift competition.

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The second qualifier is the amazing Seattle International Film Festival! Connie screened at #SIFF last year, so Seattle feels like home for me as a filmmaker. It’s the largest and most highly-attended festival in the USA and the selection of films this year is not to be missed. Blood Shed screens on 26th May as part of the Terror Internationale block.

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It’s not that we think a film about a man-eating shed would ever actually be nominated for an Oscar, but it feels amazing to get recognition from such big festivals that get thousands and thousands of submissions from films of all genres from across the globe.

Finally, I’m happily beavering away at feature ideas, with several already scripted and others at the outline or pitching stages. I’m also keen to get back on set and shoot my next two shorts from the Summer, but am making sure I get plenty of time to enjoy my babymoon with my favourite Moranic production…

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Photo by Michael Gill Photography, 2018